UNDECIDED FRAMES The decision to call the property of similarity between particular kinds of photos, usually two, undecidable, and thus create an entirely new way of looking at these photos, is, in the view of his author, a hugely courageous choice.

Aglaia Konrad
Undecided frames, 2016 (Cologne 2015)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 ( (Sibérie 1994)
colors photography, 41 x 54 cm.Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Carrara, 2010)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (désert de Gobi, 2000)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Chicago 1998)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Créteil 1999)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 ( (Vienna 2008)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Grande Dixence 2012)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Porto 2011)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Tokyo 2010)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Hérémence 2012)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

Aglaia Konrad
Undecided frames, 2016 (Hong-Kong 2006)
colors photography, 41 x 54 cm. Ed 3/3 + 2 ep.a.

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