Archives par étiquette : Olivier Foulon

Olivier Foulon, le soleil sonne, ouverture exceptionnelle ce dimanche 18 juillet de 11 à 18h

Olivier Foulon, Sans titre, 2019/2021

OLIVIER FOULON

le soleil sonne

ce dimanche 18 juillet, ouverture exceptionnelle de l’exposition de 11 à 18h

Prolongation de l’exposition jusqu’ au 31 juillet, uniquement sur RV  au 00.32.(0)475.90.52.26

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Olivier Foulon, le soleil sonne, les images (2)

Vue d’exposition. Olivier Foulon, le soleil sonne
Vue d’exposition. Olivier Foulon, le soleil sonne
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (1)
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (2)
Vue d’exposition. Olivier Foulon, le soleil sonne
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (3)
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (4)
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (5)
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (6)
Vue d’exposition. Olivier Foulon, le soleil sonne
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (7)
Olivier Foulon, Maman va bien, Papa aussi (Motherwell), 2021 (8)

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Olivier Foulon, le soleil sonne, les images (1)

Olivier Foulon, Sans titre, 2019/2021
Olivier Foulon, Sans titre, 2019/2021
Olivier Foulon, Olivier Foulon, Sans titre, 2019/2021
Vue d’exposition. Olivier Foulon, le soleil sonne
Sprung in die Neuzeit (Genzken/Sturtevant), 2016/2017
Olivier Foulon, Felix Gonzalez-Torres avec Christopher Wool, Untitled, 1993
Olivier Foulon, Felix Gonzalez-Torres avec Christopher Wool, Untitled, 1993
Olivier Foulon, Felix Gonzalez-Torres avec Christopher Wool, Untitled, 1993
Vue d’exposition. Olivier Foulon, le soleil sonne
Olivier Foulon, Nez (Joyce), 2004
Olivier Foulon, Nez (Joyce), 2004

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Olivier Foulon, The Immanent Horizon, Kunstverein Bielefeld

The Kunstverein Bielefeld is delighted to present The Immanent Horizon, featuring Leda Bourgogne, Olivier Foulon & Alexander Lieck, Samuel Richardot and Charline Tyberghein. The show addresses the current status quo of painterly practice and its critical potential.

The late 1960s saw the dissolution of painting’s boundaries and its departure from its traditional location on the canvas. Painters devoted to critical analysis radically opened up the form of their artworks, placing medium-specific reception into question. Debates around questions of institutional critique focused on making visible the institution of art within the exhibition space. This was accompanied by a new reckoning with the conditions under which exhibition takes place. In this context, Daniel Buren remarked: “Only if we recognize the significance of the sequence of different frames/limits, can a work/product, as we understand it, be put in relation to these limits, revealing them.” However, this position was not simply yet another declaration of the end of painting. Instead, it made art’s immanent social preconditions palpable and recognizable.

Today, critical perspectives on painting address these questions under quite different circumstances. Painting has long since absorbed critical points of view, and has begun to question its own medial context. The Immanent Horizon presents a current conception of the image, which is expressed in diverse artistic practices reflecting the conditions of painting as a praxes.

EVENTS: 05.09.2020, 12:00 SOFT OPENING Free admission 12:00-19:00 / 05.09.2020, 15:00 EXHIBITION CONVERSATION with the participating artists (in english language)

KUNSTVEREIN BIELEFELD
Welle 61
33602 Bielefeld

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Suchan Kinoshita & Olivier Foulon, Huis clos, biennale de la peinture, musée Dhondt-Dhaenens

26/07/2020 – 18/10/2020

Du 26 juillet au 18 octobre 2020 — MDD, le Musée de Deinze et du Pays de la Lys (mudel) et le Musée Roger Raveel — s’unissent pour la 7ème édition de la Biennale de la Peinture.

Sous le titre Huis clos  – choisi avant la crise du coronavirus – la Biennale est l’occasion idéale de découvrir une vaste gamme de tableaux modernes et contemporains, tant belges qu’étrangers. Entre des personnalités historiques comme Jean Brusselmans, Gust. De Smet, Emile Claus et Roger Raveel et des artistes contemporains comme Chantal Akerman, Joëlle Dubois, Walid Raad, Bendt Eyckermans et Luc Tuymans, la Biennale propose un aperçu exceptionnel du médium pictural dans toute sa diversité. 

En plus de représenter une multiplicité d’intérieurs physiques, dont l’atelier et l’environnement domestique, les œuvres exposées à la Biennale évoquent les espaces intimes de l’imagination et de la psyché. 

Parce qu’il n’y a pas d’intérieur sans extérieur, la Biennale veut aussi mettre en valeur le splendide paysage naturel du Pays de la Lys, une région touristique à cheval sur les provinces de Flandre orientale et occidentale, qui sert de cadre aux musées participants. Cette 7ème édition invite donc les visiteurs de tous âges à combiner la découverte d’un art de classe internationale avec une journée dans la nature, à pied, à vélo, en voiture ou par les transports en commun.

Pour cette biennale, MDD collabore pour la première fois avec la municipalité de Laethem-Saint-Martin avec des présentations dans le musée Gust de Smet et dans la crypte de l’hôtel de ville de Laethem.

œuvres d’art au MDD de
Mamma Andersson, Njideka Akunyili Crosby, Léon De Smet, Gust. De Smet, James Ensor, Melissa Gordon, Suchan Kinoshita & Olivier Foulon, Marie-Fleur Lefebvre, Lucy McKenzie, Walid Raad, Maaike Schoorel, Chris Huen Sin Kan, Louis Thevenet, Luc Tuymans, Rik Wouters.

26/07/2020 – 18/10/2020

From 26 July to 18 October 2020, MDD, Museum of Deinze and the Leie Region (Mudel) and Roger Raveel Museum, join forces to present the 7th edition of the Biennial of Painting.
 
Under the title Binnenskamers – a title chosen long before the corona crisis – the Biennial is an exciting opportunity to discover a wide selection of modern and recent paintings from Belgium and internationally. From such historical figures as Jean Brusselmans, Gust. De Smet, Emile Claus and Roger Raveel to contemporary practitioners like Chantal Akerman, Joëlle Dubois, Walid Raad, Bendt Eyckermans and Luc Tuymans, the Biennial offers a unique cross-section of the medium in its diversity.
 
The works included in the Biennial depict an equally wide range of inner spaces, among them the studio, the domestic interior and the inner realm of the imagination. Yet the theme also speaks to the stunning natural landscape of the Leie region. As there can be no inside without outside, Biennial visitors can enjoy the works on display as well as the inspiring surroundings of Deinze, Deurle, Machelen-Zulte and Latem.
 
Whether by bike, public transport, car or on foot, the Biennial is an open invitation to visitors of all ages to mix world-class art with an enjoyable day out in the country.

For this Biennale MDD works together with the municipality of Sint-Martens-Latem for the first time with presentations in the Gust de Smet Museum and in the crypt of the City Hall of Latem. On certain days, after reservation, you can also visit The Wunderkammer Residence and De Woning Van Wassenhove.

work on view at MDD by
Mamma Andersson, Njideka Akunyili Crosby, Léon De Smet, Gust. De Smet, James Ensor, Melissa Gordon, Suchan Kinoshita & Olivier Foulon, Marie-Fleur Lefebvre, Lucy McKenzie, Walid Raad, Maaike Schoorel, Chris Huen Sin Kan, Louis Thevenet, Luc Tuymans, Rik Wouters.

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Olivier Foulon, Isa Genzkens Ring, Etablissement d’en face, Bruxelles

_(SIC) is delighted to invite you to the presentation of 
 
Isa Genzken’s Ring, edited by Olivier Foulon
 
On Thursday, November 7
From 6:30 pm
 
Etablissement d’en face
32 Rue Ravenstein
Ravensteinstraat 32
1000 Brussels
 

The presentation will be accessible on November 8 and 9, from 2 to 6 pm.

 

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Art Brussels 2018, les images (2)

exhibition view

Exhibition view

Michael Dans

Michael Dans

Michael Dans
Sans titre
Photographie couleurs, tirage numérique, 184 x 124 cm

Jacqueline Mesmaeker

Jacqueline Mesmaeker

IMG_2242bis

IMG_2240bis

Jacqueline Mesmaeker
Les Péripéties, 2012-2018
Cartes postales, cartel, 43 x 61 cm

Exhibition view

Suchan Kinoshita
Sans titre, 2018

Olivier Foulon

Olivier Foulon
Grotte de Lascaux (3x), 2006.

Maen Florin

Maen Florin

Maen Florin
Albino, 2017
Ceramics 1, 2, 3 , h. 46, 45, 45 cm

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Fiac Paris 2017, les images (1)

Fiac 2017

Fiac 2017

Exhibitions views

Fiac 2017

Aglaia Konrad. Demolition City, 1992-2016,
20 épreuves à la gélatine argentine sur papier baryte.

Konrad’s photography plays with notions of «original » and « index, » « nature » and « culture, » with the fact that the original « stone » cannot be dated and with its « social » shaping in the historic present. This reversibility is further witnessed in Demolition City (1991/2016) the photographie series she made of the demolition of a terrace of houses on Rosier Faassenstraat in Rotterdam, which looks as if it might read either way, forwards or backwards, reiterating both the construction or deconstruction of walls, floors, and roofs.(…) (Penelope Curtis, From A to K)

Fiac 2017

Suchan Kinoshita, viewer desk, custumised viewers

Fiac 2017

Olivier Foulon
Sans titre (un citron), 2017
Sans titre (un citron), 2017

Fiac 2017

John Murphy

John Murphy
Cadere. Waste and Cadavers All, 2015
Photocopy, gouache, pen and ink on board, 46 x 54 cm

Fiac 2017

Fiac 2017

John Murphy
As high above as the ditch is deep, 2015
Stuffed Black Rooster, rope, variable dimensions

John Murphy

John Murphy
In the Midst of Falling: The Cry… 2016
C-print (Unique), Satin Float Glass and Gesso Wood Frame, 145.4 x 241.8 cm

Fiac 2017

John Murphy

John Murphy
Fall upward, to a height ( verso & recto), 2015
Photograph, pen and ink on board. (2) x 78 x 54 cm

(…) John Murphy has a similar respect for art from the recent past. His art resembles a pantheon of signs that transmit poetic experience. He engages with existing works from a modernist body of literature, painting and film, and particularly with a number of ‘authors’ who (re) invented Symbolism (Mallarmé, Magritte, Resnais). His work often comes in the form of delicate objects or images that sit or hang lightly in a space, like a spider’s web or celestial notations. In fact the physical space between the elements in his work is essential and signifies the mental space that opens up when a visitor tracks the (symbolical) lines that connect the elements, and when words, images and associations reveal themselves. Our exhibition features a body of works inspired by the notion of the fall, especially the fall from grace recounted in Genesis, when Adam and Eve are expelled from the Garden of Eden, as famously depicted by the Italian painter Masaccio in a fierce and moving fresco. Masaccio’s painting returns in Murphy’s epic, newly made photograph In The Midst of Falling. The Cry (2015), which derives from a charged image in Joseph Losey’s film Eve (1962), where a woman is transfixed in a hallway before a reproduction of the painting. Murphy is like a dancer aiming for a light gesture, because for him it is the most powerful conduit of experience. His titles, resourceful and full of sillent threat, create a world in itself.(…)

Fiac 2017

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