Maen Florin

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Fiac 2017

Fiac 2017

Fiac 2017

Marie Zolamian
Sans titre (la boîte rose), 2016
Huie sur toile, 27 x 20 cm

Fiac 2017

Maen Florin

Maen Florin
On the wall 7, 2016-2017
Ceramics, polystyrene, cardboard, wood, iron, h. 90,5 cm

Jacques Charlier

Jacques Charlier
Sous l’arbre
Photos – Sketch, 1976
– Il y a des gens que l’on comprend aisément…
– Y en a d’autres qui font de l’art facilement
– Dans n’importe quelle circonstance, avec n’importe quoi
– Comme ça. Pouff !
– N’importe où. Là par exemple…

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Fiac 2017

Fiac 2017

Exhibitions views

Fiac 2017

Aglaia Konrad. Demolition City, 1992-2016,
20 épreuves à la gélatine argentine sur papier baryte.

Konrad’s photography plays with notions of «original » and « index, » « nature » and « culture, » with the fact that the original « stone » cannot be dated and with its « social » shaping in the historic present. This reversibility is further witnessed in Demolition City (1991/2016) the photographie series she made of the demolition of a terrace of houses on Rosier Faassenstraat in Rotterdam, which looks as if it might read either way, forwards or backwards, reiterating both the construction or deconstruction of walls, floors, and roofs.(…) (Penelope Curtis, From A to K)

Fiac 2017

Suchan Kinoshita, viewer desk, custumised viewers

Fiac 2017

Olivier Foulon
Sans titre (un citron), 2017
Sans titre (un citron), 2017

Fiac 2017

John Murphy

John Murphy
Cadere. Waste and Cadavers All, 2015
Photocopy, gouache, pen and ink on board, 46 x 54 cm

Fiac 2017

Fiac 2017

John Murphy
As high above as the ditch is deep, 2015
Stuffed Black Rooster, rope, variable dimensions

John Murphy

John Murphy
In the Midst of Falling: The Cry… 2016
C-print (Unique), Satin Float Glass and Gesso Wood Frame, 145.4 x 241.8 cm

Fiac 2017

John Murphy

John Murphy
Fall upward, to a height ( verso & recto), 2015
Photograph, pen and ink on board. (2) x 78 x 54 cm

(…) John Murphy has a similar respect for art from the recent past. His art resembles a pantheon of signs that transmit poetic experience. He engages with existing works from a modernist body of literature, painting and film, and particularly with a number of ‘authors’ who (re) invented Symbolism (Mallarmé, Magritte, Resnais). His work often comes in the form of delicate objects or images that sit or hang lightly in a space, like a spider’s web or celestial notations. In fact the physical space between the elements in his work is essential and signifies the mental space that opens up when a visitor tracks the (symbolical) lines that connect the elements, and when words, images and associations reveal themselves. Our exhibition features a body of works inspired by the notion of the fall, especially the fall from grace recounted in Genesis, when Adam and Eve are expelled from the Garden of Eden, as famously depicted by the Italian painter Masaccio in a fierce and moving fresco. Masaccio’s painting returns in Murphy’s epic, newly made photograph In The Midst of Falling. The Cry (2015), which derives from a charged image in Joseph Losey’s film Eve (1962), where a woman is transfixed in a hallway before a reproduction of the painting. Murphy is like a dancer aiming for a light gesture, because for him it is the most powerful conduit of experience. His titles, resourceful and full of sillent threat, create a world in itself.(…)

Fiac 2017

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Maen Florin

Maen Florin

Maen Florin

Maen Florin

Maen Florin
Albino, 2017
Ceramics 1, 2, 3j, h. 46, 45, 45 cm

Maen Florin

Maen Florin

Maen Florin
On the wall, X / lamento, 2017
Ceramics, polystyrène, wood, iron. h. 85 cm

Maen Florin

Maen Florin

Maen Florin

Maen Florin
On the wall, XIII / lamento, 2017
Ceramics, polystyrène, wood, iron. h. 85 cm

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Maen Florin

Maen Florin

Maen Florin

Maen Florin
On the wall, XII / lamento, 2017
Ceramics, polystyrène, wood, iron. h. 89 cm

Maen Florin

Maen Florin
Albino, 2017
Ceramics 1, 2, 3 , h. 46, 45, 45 cm

Maen Florin

Maen Florin

Maen Florin

Maen Florin

Maen Florin

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Maen Florin

Maen Florin

Maen Florin

Maen Florin
Remade II, 2015
Ceramics, polyester, foam, polyurethane, textile, rubber, iron. h. 108 cm.

Maes Florin

Maen Florin

Maen Florin

Maen Florin
On the wall, XIV / lamento, 2017
Ceramics, polystyrène, wood, iron. h. 85 cm.

Maen Florin

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La galerie Nadja Vilenne a le plaisir de vous convier aux vernissages des expositions de :

MAEN FLORIN

Maen Florin

VALERIE SONNIER

Valérie Sonnier

Vernissages le jeudi 14 septembre à 19h en présence des artistes
Exposition du 15 septembre au 27 octobre 2017
Je. Ve. Sa. de 14 à 18h ou sur RV.

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